FIDELIO
"Baritone Thomas Woodman, as the villain Pizarro, for once gives us a voice that actually sings this impossible music, and does so stylishly ..."  The Herald-Sun, Durham, NC -- January 25, 2000

"As Don Pizzaro, the villain of the piece, Thomas Woodman is vocally chilling in his malevolence.  His big aria "Ah, welch ein Augenblick," is dramatically and vocally one of the evening's highlights." Raleigh News Observer -- January, 2000

MAHLER'S SYMPHONY OF A THOUSAND
Hartford Symphony Orchestra
"For his soloists, Mahler's score demands voices of operatic grandeur ... baritone Thomas Woodman provided impassioned, dramatic vocalism ..."  The Hartford Courant -- April 5, 2000


CARMINA BURANA
Connecticut Grand Opera & Orchestra
"Thomas Woodman is to be especially applauded for his successful negotiation of all the vocal trials set before him by Orff.  From soft singing to stentorian ringing, from a high, velvety falsetto to a rich, warm baritione, Woodman was in every way a winner."  The Stamford Advocate -- April 30, 1996 

Vaughn Williams' SEA SYMPHONY
Sacramento Symphony
"The Sacramento Symphony Chorus was superb, but soprano Ruth Golden and baritone Thomas Woodman were extraordinary, almost unearthly.  Both have exceedingly rich and full voices."  Cuttertown News

Britten's WAR REQUIEM
West Virginia Symphony
"Thomas Woodman, baritone, gave credence to the printed page and brought forth music of pain filled with truth."  The Charleston Daily Mail -- May 1, 1995